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Prof Marjan Colletti
The Bartlett School of Architecture, UCL
140 Hampstead Road
Tel: +44 (0)20 7679 9303 (internal)
  • Professor of Architecture and Post Digital Practice
  • The Bartlett School of Architecture
  • Faculty of the Built Environment

Univ.-Prof. Dipl.Ing. MArch. Dott.Arch. PhD Marjan COLLETTI

I am a practicing architect, an educator, a researcher and author on digital architecture. I am and currently a Professor of Architecture and Post Digital Practice (world's first) at the Bartlett School of Architecture and University Professor at the University of Innsbruck, where I am Head of the Institute for Experimental Architecture.Hochbau. I am the co-founder of the London-based architecture studio marcosandmarjan, a design-research environment with a strong knowledge transfer angle through its components teaching, apprenticeships, exhibitions, applied design & technology, and knowledge transfer processes (from digital theoretical research of techniques and technologies into practical design, file-to-factory protocols, inclusion of industry know-how such as material parameters and machine-related constraints).

The office’s work includes the Alga(e)zebo Pavilion for the 2012 London Olympics and Paralympics, the built cafeteria and auditorium and general layout for the 75th Book Fair in Lisbon (2005), the built NURBSTERs and FOLDSTERs prototype series (digitally fabricated prototypes, since 2001), the winning competition proposal (various phases) for the Xiyuan Entertainment Complex in Beijing China (2004), various urban proposals and studies for towers and other typologies for private clients (since 2005) in China, Dubai, Pakistan, Egypt, Spain, Portugal, and currently Taiwan (2x).

I am the author of the forthcoming book Digital Poetics (Ashgate Publishing), guest-editor of AD Architectural Design Exuberance: New Virtuosity in Contemporary Architecture (Wiley), co-editor of Research Projects 2009 (Bartlett UCL), co-author of marcosandmarjan: Interfaces/Intrafaces (SpringerWienNewYork), and author of 2&1/2D Twoandahalf Dimensionality (Bucher Hohenems), and have authored and co-authored over 40 articles in international journals, books and magazines. I have curated over 20 exhibitions in several countries and have exhibited individual and marcosandmarjan work in over 60 venues from Los Angeles to Sao Paolo to Venice to Tokyo, including the Venice Biennale (3x), the Royal Academy (3x), Victoria and Albert Museum and the Royal Festival Hall in London. I am regularly invited as lecturer, panelist and critic internationally.  I have been an expert reviewer for the Ministry of Education and Science of the Russian Federation - New Eurasia Foundation, Canada Foundation for Innovation, Routledge/Taylor & Francis, Journal of Cultural Economy, Ashgate Publishing, American University of Sharjah United Arab Emirates, Queen's University Belfast and University of Innsbruck. 

Previous teaching appointments include: Visiting Professorships at TU Vienna, University of California at Los Angeles,  University of Texas at Arlington, Innsbruck University; plus workshops at the Ecole Speciale d'Architecture Paris, The Royal Danish Academy of Fine Arts Copenhagen, Oslo School of Architecture, Tonghai University Taichung Taiwan and Feng Chia University, Taichung Taiwan; senior lecturer at the University of Westminster London; visiting lecturer at the Royal College of Art, KIAD Canterbury; external reviewer for habilitation procedure at Innsbruck University;  et al.

U20   GAD   PhD  

Research Summary

I have been investigating a novel graphic and tectonic digital vocabulary, form and language since the mid 90s. My current and recent research projects explore digitality, focussing on 3 main subject matters: phenomenology (cognition, interaction, feedback), social systems (urbanity, sub-cultures, body), and digital tectonics (morphologies, ornamentation). I am pursuing these enquiries by what I call ‘propositional’ research—research that results also in physical output: drawings, installations, prototypes, projects and buildings. The design is informed by the research as much as the research is driven by the design, and it is intrinsic to the nature of this modus operandi to strive for rigour and for originality at the same time. The focus is towards the discovery—i.e. what already exists, and what still is to be found—of digitality within the context of hybridity of technē (craftsmanship) and poiēsis (art).

These objectives result from my efforts as practicing architect (the architectural practice marcosandmarjan in London) to combine academic research with research-lead design investigations on the applicability of new digital 2D/3D/4D modelling design techniques and innovative construction and manufacturing technologies in architecture. Within the practice I pursue the development of new typological, topological, morphological and ecological conditions in complex building projects through a variety of competitions, built projects, international commissions and a series of avant-garde small-scale installations (sponsored, partly by 160.000£ grants and sponsorships that I raised). The architectural design work, because driven by precise investigations, plays a major role in my research activity and output, sustained and developed by various international publications. Such design work (the Lisbon building and the Beijing project for example) has been submitted to the 2008 RAE (Research Assessment Exercise) by the Bartlett and by Westminster University, and future research-led design work is to be submitted to the 2014 REF (Research Excellence Framework) assessment.

My research, design and teaching agendas are positioned within the field of digital architecture, despite of my criticisms towards pure parametric and algorithmic computerised architecture. Instead I favour a synthetic digital design process that achieves the hybridisation of technological parameters and phenomenological properties, implying an approach that develops from inside out, involving experiential qualities, inhabitation and use. The methodology employs 2D, 3D and 4D software packages, Computer Numerically Controlled (CNC), Rapid Protoyping (RP), Computer-Aided Design and Computer-Aided Manufacturing (CAD/CAM) technologies to investigate future trajectories of digital design.

Current research projects are: Fetish (2010-…), Foldsters (2010-…), InterPolis (2006-…), Future Living (2010-…). Concluded research includes Digital Poetics (2000-07), Convoluted Flesh (2006-09), 2&½D Twoandahalf Dimensionality (2006-07), 3D Moodle (2008-09), Cyberbaroque (2008-09), Exuberance (2008-10), NURBSTERs (2003-8), Mimetic Intrafaces (2005).

Teaching Summary

UNIT 20, Post-digital Practices 2018/19, Conspiracy Theories


Curious? Decrypt key: Unit 20; algorithm: Blowfish; mode: ECB

01-OCT-2013 Director of Computing Bartlett School of Architecture UCL, United Kingdom
01-MAR-2013 Head of Institute Institute for Experimental Architecture University of Innsbruck, Austria
01-JAN-2013 – 31-AUG-2013 Acting Director of MArch Architecture Part 2 (ARB, RIBA) Bartlett School of Architecture UCL, United Kingdom
01-JAN-2012 University Professor Institute for Experimental Architecture.Hochbau Innsbruck University, Austria
01-OCT-2011 – 31-JAN-2012 Visiting Professor Department of Architecture Theory TU Vienna, United Kingdom
01-SEP-2010 – 20-OCT-2010 Visiting Professor Architecture University of Texas Arlington , United States
2000 Co-founder and co-director, architect and lead designer marcosandmarjan  , United Kingdom
2000 Freelance architect    , Italy
1996 – 1998 Architectural designer, collaborator   Giencke & Company, Austria
1995 – 1995 Architectural designer, collaborator   Arge Plan, architectural practice, Bolzano , Italy
Academic Background
2008 PhD Doctor of Philosophy – Architecture University College London
1999 MArch Master of Architecture – Architecture University College London
1999 STEX Staatsexamen – Architecture Universita Iuav di Venezia
1998 DOT Dottore – Architecture Universita Iuav di Venezia
1997 Dipl. Ing. Diplom- Ingenieur – Architecture Universitat Innsbruck
1991 DIPMC Diploma di Maturità Classica – Humanities with Classical Studies Liceo Classico
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