Garb, T. (2018). Constance Stuart's war: women and documentary's excess. In A. Hemingway, M. Baker (Eds.), Art As Worldmaking. Manchester UK: Manchester University Press.

Fer, B. (2018). The Transactions of Detail. In M. Baker, A. Hemingway (Eds.), Art As Worldmaking. Manchester University Press.

Hemingway, A. (2016). Landscape Between Ideology and the Aesthetic Marxist Essays on British Art and Art Theory, 1750-1850. Historical Materialism Book.

Hemingway, A. F. (2016). Marxisme occidental et histoire de l'art (F. Peri, Trans.). In N. McWilliam, C. Moreteau, J. Lamoureux (Eds.), Histoires sociales de l'art Une anthologie critique (pp. 277-285). Paris, France: les presses du reel.

Hemingway, A. F. (2015). Paul Strand and Twentieth-Century Americanism: Varieties of Romantic Anti-Capitalism. Oxford Art Journal, 38 (1), 37-53.

Hemingway, A. F. (2015). Realism under duress: the 1930s. In J. Davis, J. A. Greenhill, J. D. LaFountain (Eds.), A Companion to American Art (pp. 617-636). Chichester: Wiley-Blackwell.

Grindle, N. M. (2015). Sublime and Fall: Benjamin West and the Politics of the Sublime in Early Nineteenth Century Marylebone. In A. Hemingway, A. Wallach (Eds.), Transatlantic Romanticism (pp. 83-101). Amherst, MA: University of Massachusetts Press.

Hemingway, A. F. (2015). Transatlantic Romanticism: British and American Art and Literature, 1790-1860. Amherst and Boston: University of Massachusetts Press.

Hemingway, A. F. (2014). Arnold Hauser: Between Marxism and Romantic Anti-Capitalism. Enclave Review (10), 6-10.

Hemingway, A. F. (2014). On the Conception of the Badische Kunstverein's Georg Scholz Exhibition of 1975. Kunst und Politik. Jahrbuch der Guernica-Gesellschaft, 16, 53-63.