Wright, A. (2020). The politics of the gilded body in early Florentine statuary. Sculpture Journal, 29 (2), 131-158. doi:10.3828/sj.2020.29.2.2

Wright, A. (2020). The Temporary and the Temporal: Suspense in the Strozzi chapel. In P. Nuttall, G. Nuttall, M. W. Kwakkelstein (Eds.), Filippino Lippi: Beauty, Invention and Intelligence. NIKI Studies in Netherlandish-Italian Art History,: Brill. doi:10.1163/9789004434615_011

Wright, A. (2019). Frame Work: Honour and Ornament in Italian Renaissance Art. New Haven, CT, USA: Yale University Press.

Wright, A. J. (2015). Crivelli's divine materials. In S. J. Campbell (Ed.), Ornament and Illusion: Carlo Crivelli of Venice, catalogue of the exhibition at the Isabella Stewart Gardner Museum, Boston (pp. 57-77). London: Paul Holberton Publishing.

Wright, A. J. (2015). Marking Time: Medici Imagery and Princely Iconography. In R. Black, J. E. Law (Eds.), The Medici Citizens and Masters (pp. 295-310). Princeton N.J.: Harvard University Press.

Wright, A. J. (2013). A new book on Signorelli. Burlington Magazine, CLV (1329), 832-833.

Wright, A. J. (2013). Tabernacle and sacrament in fifteenth-century Tuscany. In P. Motture, E. Jones, D. Zikos (Eds.), Carvings, Casts and Collectors: The Art of Renaissance Sculpture. V & A Publishing.

Wright, A. J. (2012). 'Touch the Truth'? Desiderio da Settignano, Renaissance relief and the body of Christ. Sculpture Journal, 21 (1), 7-25. doi:10.3828/sj.2012.2

Wright, A. (2011). '... con uno inbasamento et ornamento alto': The rhetoric of the pedestal c. 1430-1550. Art History, 34 (1), 8-53. doi:10.1111/j.1467-8365.2010.00798.x

Wright, A. J. (2010). Nameless: Anonymous Drawings of 15th and 16th-Century Italy from the British Museum, The Courtauld Gallery, National Galleries of Scotland. Moray Art Centre, Findhorn: Moray Art Centre.