Coupaye, L. (2018). "Yams Have No Ears!': Tekhne, Life and Images in Oceania. OCEANIA, 88 (1), 13-30. doi:10.1002/ocea.5177

Coupaye, L. (2018). A viewpoint from the Foothills: Making Sepik Valley images as containers. Journal de la Société des océanistes. doi:10.4000/jso.8024

Coupaye, L., & Pitrou, P. (2018). Introduction. The Interweaving of Vital and Technical Processes in Oceania. OCEANIA, 88 (1), 2-12. doi:10.1002/ocea.5178

Coupaye, L. (2018). Mayëra’s Matter: The Materiality of Secrecy among the Abulës-speakers of Papua New Guinea. In T. Buri (Ed.), Secrecy: Who’s allowed to know what. Basel: Hatje Cantz Verlag.

Coupaye, L. (2018). Realising fantasies: Objects as contexts, processes and presence. In P. Cordez, R. Kaske, J. Saviello, S. Thürigen (Eds.), Object Fantasies: Experience & creation (pp. 209-222). Munich: de Gruyter.

Coupaye, L., & Pitrou, P. (Eds.). (2018). The Interweaving of Vital and Technical Processes in Oceania [Whole issue]. Ocenia, 88 (1).

Coupaye, L. (2017). Comment Homo devint Faber. Technology and Culture, 58 (4), 1076-1077. doi:10.1353/tech.2017.0117

Coupaye, L. (2017). The problem of agency in art. In N. Thomas, A. Clark (Eds.), Style and meaning: Essays on the anthropology of art. (pp. 243-302). Leiden: Sidestone Press.

Pitrou, P., & Provost, F. (2016). Of Living Beings and Artefacts. The Articulation of Vital and Technical Processes. Les Actes de Colloques. Paris: musée du quai Branly.

Coupaye, L. (2016). Yams as Vernacular Methodology? Approaching Vital Process through Technical Processes. Des êtres vivants et des artefacts: L’imbrication des processus vitaux et des processus techniques. Musée du Quai Branly.