Stokes, M. (2013). American History through Hollywood Film: From the Revolution to the 1960s. London, New York, New Delhi, Sydney: Bloomsbury.

Stokes, M. (2013). Europeans Interpret the American South of the Civil War Era: How British and French Critics Received 'The Birth of a Nation' (1915) and 'Gone With the Wind' (1939). In C. Van Minnen, M. Berg (Eds.), The US South and Europe: Transatlantic Relations in the Nineteenth and Twentieth Centuries (pp. 181-203). Lexington, Kentucky, US: University of Kentucky Press.

Stokes, M. (2012). Audiences in Cinema History. In C. Gelly, D. Roche (Eds.), Approaches to Film and Reception Theories/Cinéma et Théories de la Réception: Etudes et panorama critique (pp. 31-53). Clermont-Ferrand France: Presses Universitaire Blaise Pascal.

Stokes, M. (2011). Abraham Lincoln and the Movies. American Nineteenth Century History, 12 (2), 203-231.

Stokes, M. (2010). Gilda. London: British Film Institute/Palgrave Macmillan.

Stokes, M. (2010). Race, Politics, and Censorship: D. W. Griffith's The Birth of a Nation in France, 1916-1923. CINEMA J, 50 (1), 19-38.

Stokes, M. (2007). D.W. Griffith's 'The Birth of a Nation': A History of 'the Most Controversial Motion Picture of All Time'. New York: Oxford University Press.

Maltby, R., & Stokes, M. (Eds.). (2004). Hollywood Abroad: Audiences and Cultural Exchange. London: British Film Institute Publishing.

Stokes, M. (2019). D. W. Griffith's 'The Birth of a Nation': Transnational and Historical Perspectives. In M. Martin (Ed.), The Birth of a Nation: The Cinematic Past in the Present. Bloomington, IN, USA: Indiana University Press.

Stokes, M. (2019). From Uncle Tom to Nat Turner: An Overview of Slavery in American Film, 1903-2016 [Digital scholarly resource]. Retrieved from http://transatlantica.revues.org/.