Mills, R. (2021). Back-to-Front: Abstraction and Figuration in Bosch's Visions of the Hereafter. In E. Gertsman (Ed.), Abstraction in Medieval Art: Beyond the Ornament (pp. 115-138). Amsterdam: Amsterdam University Press. doi:10.2307/j.ctv1g13jk5.8

Mills, R. (2020). Derek Jarman's Library. In S. Kissane, K. Rehmani-White (Eds.), Derek Jarman Protest! (pp. 238-246). Dublin and London: Irish Museum of Modern Art; Thames & Hudson.

Mills, R., & Guerrero Yeste, A. (2020). Robert Mills on 'Derek Jarman's Medieval Modern' [Digital scholarly resource]. Retrieved from https://untrabajotartamudo.wordpress.com/2020/08/12/robert-mills-on-jarmans-medieval-modern/.

Mills, R., Bohm-Duchen, B., & Morrison, A. (2020). Rubble and Revelation. Contra (3), 10-12.

Mills, R. (2020). Seen from Behind: Perspectives on the Male Body and Renaissance Art. Patricia Lee Rubin. New Haven, CT: Yale University Press, 2018. 288 pp. $60. Renaissance Quarterly, 73 (3). doi:10.1017/rqx.2020.135

Mills, R. (2019). Derek Jarman: Painting It Out [Digital scholarly resource]. Retrieved from https://artuk.org/discover/stories/derek-jarman-painting-it-out.

Mills, R. (2019). Saint Eugenia's Relics. In C. Brickell, J. Collard (Eds.), Queer Objects (pp. 236-243). Manchester: Manchester University Press.

Grindle, N., Marie, J., Mills, R., & Fisher, T. (2019). Staff-student interviews for better feedback literacy. Educational Developments, 20 (4), 14-18.

Kutty, S., & Mills, R. (n.d.). The Queer Tapestry [Exhibition]. 01-Feb-19 - 28-Feb-19.

Mills, R. (2018). Derek Jarman's Medieval Modern. Medievalism. Cambridge: D. S. Brewer. doi:10.2307/j.ctt22zmbhm