Mills, R. (2022). Derek Jarman's Revelation: AIDS, Apocalypse and History. In E. Coomasaru, T. Deichert (Eds.), Imagining the Apocalypse: Art and the End Times (pp. 15-52). London: Courtauld Books Online. doi:10.33999/2022.83

Mills, R. (2022). Review of Dyan Elliott, The Corrupter of Boys: Sodomy, Scandal, and the Medieval Clergy. The Journal of Religion, 102 (3).

Mills, R. (2021). Back-to-Front: Abstraction and Figuration in Bosch's Visions of the Hereafter. In E. Gertsman (Ed.), Abstraction in Medieval Art: Beyond the Ornament (pp. 115-138). Amsterdam: Amsterdam University Press. doi:10.2307/j.ctv1g13jk5.8

Mills, R. (2021). Recognizing Wilgefortis. In G. LaFleur, M. Raskolnikov, A. M. Kłosowska (Eds.), Trans Historical: Gender Plurality Before the Modern (pp. 133-159). Ithaca: Cornell University Press.

Mills, R. (2021). Wild Forms: The Art of East Anglian Wodewoses. In J. Luxford (Ed.), Tributes to Paul Binski. Medieval Gothic: Art, Architecture and Ideas (pp. 162-173). London: Harvey Miller.

Mills, R. (2020). Derek Jarman's Library. In S. Kissane, K. Rehmani-White (Eds.), Derek Jarman Protest! (pp. 238-246). Dublin and London: Irish Museum of Modern Art; Thames & Hudson.

Mills, R., & Guerrero Yeste, A. (2020). Robert Mills on 'Derek Jarman's Medieval Modern' [Digital scholarly resource]. Retrieved from https://untrabajotartamudo.wordpress.com/2020/08/12/robert-mills-on-jarmans-medieval-modern/.

Mills, R., Bohm-Duchen, B., & Morrison, A. (2020). Rubble and Revelation. Contra (3), 10-12.

Mills, R. (2020). Seen from Behind: Perspectives on the Male Body and Renaissance Art. Patricia Lee Rubin. New Haven, CT: Yale University Press, 2018. 288 pp. $60. Renaissance Quarterly, 73 (3). doi:10.1017/rqx.2020.135

Mills, R. (2019). Derek Jarman: Painting It Out [Digital scholarly resource]. Retrieved from https://artuk.org/discover/stories/derek-jarman-painting-it-out.