My research is premised on expertise as a clinical practitioner. A core value of conservation has been the intimate physical encounter with the material remains of the past that become the raw materials for the conservation process. The ability of conservators to intervene in the material remains of the past and to create something that is meaningful and useful in the present has become the defining mandate of conservation. 

My research has examined conservation as critical heritage practice, as an open and creative process that seeks to respond to the unfolding becoming of the world in new adaptive ways. This advocates for a shift in conservation practice from a specialist technical service aimed at preserving heritage, to an innovative process in the creation of the world. This investigates new understandings of conservation practice, by prioritising the relationships between people, places, and objects as the primary responsibility of conserving heritage.

My current research aims to re-situate heritage practice, from maintaining the metastable authenticity of heritage places and objects towards co-curating ecosociologically-constituted multispecies worlds. It looks to move beyond concepts that continue to privilege human agencies that sustain inequalities, towards a pluriversity of affective ecosociological potentialities of (post)human and nonhuman matter. This is addressed via transarticulating sympoietic framing that brings creative practice and heritage processes into flux through experimental science-art worldings. This enables a heritage conservation that addresses the social issues of the present in making more-liveable more-than-human worlds by making common cause with other human, non-human, and non-living actors.