Five solo exhibitions in the USA included a retrospective at The University of Massachusetts, in 2001, Lucas Schoormans Gallery, New York, in 2000/01/06 and Gallery 339, Philadelphia in 2014. 
A British Academy Grant enabled filming the Indian cotton industry resulting in, Light Curtain the commissioned film projection for Cotton: Global Threads at The Whitworth Art Gallery, Manchester, 2012. Splicing Time: Rome and the Roman Campagna; Leverhulme Fellowship, 2016-17, investigated the visual and emotional resonance of drapery. Connections with the C18th Grand Tour were explored with an innovative photographic installation at UCL’s Art Museum as Artist-in-Residence and also at Compton Verney in 2020. Further Roman-inspired solo exhibitions were supported by the Cities Partnership Programme; Feu Follet, 2018 in London and Temporal Stabilities, 2020 in Rome.

My artwork featured in Fabric: Touch & Identity, Compton Verney, 2020, Women, Power, Protest, Birmingham Museum and Art Gallery, 2019 and A History of Photography: Series and Sequences, at The Victoria and Albert Museum, 2015. Also held in public Collections including, Tate, The British Museum, The V&A, The National Portrait Gallery, The Government Art Collection, The Whitworth Art Gallery, New Hall, Cambridge and The British Academy. The Yale Center for British Art, George Eastman Museum, University of California Museum at Berkeley, The Portland Art Museum, Oregon, the Metropolitan Museum of Art, New York, USA and The Museet for Fotokunst, Denmark.