Bob Sheil is an Architect, Professor in Architecture and Design through Production, and Director of Technology at The Bartlett School of Architecture, where he also runs MArch Unit 23 with Emmanuel Vercruysse and Kate Davies. He is a founding partner of sixteen*(makers), whose work in collaboration with Stahlbogen GmbH ‘55/02’ won a RIBA award for design in 2010, and also includes a ten year catalogue of experimental projects both internationally published and exhibited. He is an educator, critic, researcher, collaborator and practitioner, as well as an experimental designer who is fascinated by transgression between making, craft, and technology, in architectural design practice. As Director of Technology he has been responsible for the Schools significant acceleration of investment in digital technologies, which led to the establishment of the Digital Manufacturing Centre (2009) and more recently, the Bartlett Manufacturing and Design Exchange (B-MADE).

He is the author of multiple book chapters, refereed papers, and articles on design, making and technology. He has co-designed and built 6 significant artefacts/built works, and been internationally exhibited on 11 occasions. He has edited five books, including three issues of Architectural Design; ‘Design through Making’ (2005), ‘Protoarchitecture’ (2008), and the forthcoming ‘High Definition : Negotiating Zero Tolerance’ (2014), an AD Reader ‘Manufacturing the Bespoke’ published in 2012, and ‘55/02: A sixteen*(makers) Monograph’ (also 2012). In 2011, he Co-Chaired the highly acclaimed international conference 'FABRICATE' with Ruairi Glynn, for which he also co-edited the substantial parallel publication. FABRICATE has now become an internationally established conference brand, with the 2014 event hosted by ETH Zurich. A number of his lectures on design and making can be viewed online including his inaugural lecture “Design through Production” which has registered over 1000 plays .

He has recently founded The Protoarchitecture Lab at UCL where he is currently developing new strand of collaborative research between making, performance and 3D scanning, in collaboration with the Royal Central School of Speech and Drama, SHUNT, and ScanLAB projects.