My research is best positioned at the intersection of architecture, critical heritage studies and psychoanalysis, and engages critically and methodologically with the element of fire. My monograph was published in June 2019 by UCL Press and is titled Architecture and Fire, A Psychoanalytic Approach to Conservation. This book offers a radical reconceptualisation of architectural conservation through Freudian psychoanalysis, which emerges through the study of the intimate relationship between architecture and fire. This book has a twofold function. On the one hand, it puts forward a conservation model that relies on psychoanalytic principles, encourages public participation and promotes controlled destruction as part of its agenda. On the other hand, it looks into the relationship between ‘architecture and fire’, a research area that is somehow underexplored but has sadly received huge attention in recent years, particularly in the aftermath of tragic events that have scarred modern history. On the one hand, it puts forward a conservation model that relies on psychoanalytic principles, encourages public participation and promotes controlled destruction as part of its agenda. On the other hand, it looks into the relationship between ‘architecture and fire’, a research area that is somehow underexplored but has sadly received huge attention in recent years, particularly in the aftermath of tragic events that have scarred modern history.

I am an active researcher producing research individually and collaboratively, through publications, exhibitions and public events. I recently received two seed funding grants from The British Academy for collaborative research workshops with other academics from the UK and Brazil. I have also developed a research project proposal in collaboration with Professor Filipe Coutinho Quaresma  from Laboratório Experimental de Arquitetura e Urbanismo, Universidade Lusófona in Lisbon, Portugal (http://leau.ulusofona.pt/projects/suffolk-lisboa-complex-shore-terrain/).

I have engaged with a number of art projects both in the UK and abroad, and exhibited in notable architectural and art events, such as the 3^rd Lisbon Architecture Triennale ‘Close, Closer’ with a participatory Super 8 film and sound installation; a group exhibition in the New Digital Art Biennale in Brazil; the Digital Research in the Humanities and Arts 2014 in Greenwich Maritime with a video installation. In 2018, I led a team that won a Historic England design competition entitled ‘Immortalised: A Design Competition’.